By: Christen Calloway
Art is abundant in Florence, especially sculptures. Michelangelo’s sculptures are the perfect models for sketching because they never move. I particularly enjoyed drawing David at the Accademia and Night of the tombs of the Medici in the Medici Chapels connected to San Lorenzo.
One afternoon, I buy a soft graphite pencil, eraser, and pencil sharpener at the art store down the street and go to sketch David. There are always open chairs or benches surrounding the massive ill-proportioned man, and you can see him even if there are thousands of people in the museum. I sit in between a mother and her son in an empty chair, the son curiously watching me as I timidly draw David’s torso, not used to having an audience. Several people change seats by the time I leave, each interested in my sketch and trying to steal photographs of the statue; no photos are allowed.
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